Stops. Sleepchains ; Sunday ; Lines ; Our fortune ; No port now ; Would be her 50th wedding anniversary today ; Some afternoons she does not pick up the phone ; That strength ; Methinks the poor town has been troubled too long ; Despite her pain, another day ; Nothing for it ; Her Beckett ; Beckett's theory of tragedy ; Beckett's theory of comedy
Every exit is an entrance (a praise of sleep). Every exit is an entrance ; Ode to sleep
Foam (essay with rhapsody): on the sublime in Longinus and Antonioni. The day Antonioni came to the asylum (rhapsody)
Sublimes. Longinus' dream of Antonioni ; And reason remains undaunted ; L' (ode to Monica Vitti) ; Ode to the sublime by Monica Vitti ; Mia Moglie (Longinus' red desert) ; Outwardly his life ran smoothly ; Kant's question about Monica Vitti ; Stanzas, sexes, seductions ; Spring break: swallow song ; Guillermo's sigh symphony ; Blended text ; Swimming in circles in Copenhagen
Gnosticisms. Gnosticism I ; Gnosticism II ; Gnosticism III ; Gnosticism IV ; Gnosticism V ; Gnosticism VI
Seated figure with red angle (1988) / Betty Goodwin
Lots of guns: an oratorio for five voices
Totality: the colour of eclipse
Decreation: how women like Sappho, Marguerite Porete and Simone Weil tell God
Decreation: an opera in three parts. Part one: love's forgery ; Part two: her mirror of simple souls ; Part three: fight cherries
